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Alan John Bangs ist ein britischer Musikjournalist und Moderator im Radio und Fernsehen. Er lebt und arbeitet seit den er-Jahren in Deutschland. Alan John Bangs (* Juni in London) ist ein britischer Musikjournalist und Moderator im Radio und Fernsehen. Er lebt und arbeitet seit den. Alan John Bangs is a British music journalist, disc jockey and presenter on radio and television. He has lived and worked in Germany since the s. Contents. This website is dedicated to the music gratefully delivered to us for so many years by Alan Bangs. Vor einem Vierteljahrhundert präsentierte Alan Bangs den „Rockpalast“ im deutschen Fernsehen. Der britische Musikjournalist, der in London. Alan Bangs, Composer: Was nicht passt wird passend gemacht. Alan Bangs was born in in London, England as Alan John Bangs. He is a composer and. The name Alan Bangs is synonymous with music rebellion on the continent. The British-born DJ has been affectionately referred to as Germany's own John Peel.

Alan Bangs plädiert für mehr Kreativität bei der Programmgestaltung als Gegenstück zum Formatradio :. Die Stücke spielen, weil sie meinen, dass andere Menschen sie einfach hören müssen.
In der Connection stellte er in den Sendungen Beziehungen unterschiedlichster Art zwischen den von ihm gespielten Liedern her z.
So spielte er einmal eine ganze Stunde lang nur Coverversionen von Fever. In seiner Unbekümmertheit, seinem Mut und seiner musikalischen Aufgeschlossenheit wurde er oft mit John Peel verglichen.
Im Moderationsstil unterschied Bangs sich jedoch wesentlich von Peel, der keine längeren Kommentare über die von ihm gespielte Musik abgab und keine Verbindungen zwischen mehreren Stücken oder Konzepte für ganze Sendungen aufstellte.
Dieser Artikel oder nachfolgende Abschnitt ist nicht hinreichend mit Belegen beispielsweise Einzelnachweisen ausgestattet.
Regarding his radio work, Bangs enjoyed a colourful career at various stations and was famously fired from Einslive on WDR1 for playing Chopin and Jacques Brel.
But after all these years, Alan Bangs has stepped out of the spotlight and these days he tries to remove himself as much as possible from the story.
With a desire to explore the expanding possibilities that the digital world has to offer, Bangs is more interested in creating layers of sound and meaning with his iconic late-night radio show, Night Flight.
When did you start working as a music journalist - and what or who were your early passions and influences? I used to listen to pirate radio in the '60s before the BBC took over.
Pete Drummond who was a DJ around the same time, also had an influence on me. He had a 2 hour show of uninterrupted music on a Friday night called The Sequence.
It was all mixed together and he had this effect on his voice that made him sound like a computer. His way of doing things stuck in my mind.
People often assume that when you play music on the radio that you're playing your favourite records, which is not the case at all.
Well it might be so in the first few months but what then? To me it was always interesting the way you set things up.
The whole programme's important, it's not about specific songs. For example if you play a heavy rap track and follow it with a Randy Newman song, the Newman song will sound completely different if you'd heard another ballad before hand.
It comes from being curious and wanting to surprise your listeners and yourself at the same time. Back when I used to do live shows, I'd be sitting there with three record players, choosing which song to play next.
Sometimes I wouldn't be able to decide which track to play until seconds before. Sometimes you'd play something and you'd know instantly that it was the wrong track and sometimes after 30 seconds I'd take it off saying it was the wrong choice.
It's difficult to know what you're trying to achieve because you don't really know yourself until it's finished.
I enjoyed the spontaneity though. I had a lecturer once at college, an old-school BBC guy with a double-breasted blazer who used to come in to the classroom and write 'in radio your audience is an audience of one'.
It's an intimate medium. But today, some DJs broadcast as if they're addressing thousands of people in a stadium or the whole town and the intimacy gets lost.
Nothing specific I think. I'm not one of those people who goes after things, which isn't necessarily a good trait to have.
I never set out to be a DJ, the opportunity just kind of arose and it turned out to be something I was good at.
Unlike TV production, you could work on radio alone, which is the main reason I chose it. In retrospect I can say that a lot of my big moments have come by chance.
I was 21 and arrived in Cologne in February, the day after Carnival. There were piles of sick everywhere and it was horrible.
I worked for 2 years there doing everything and learning the ropes for 80 hours a week. I had to read out the local announcements in German with the BBC feed in one ear, and I learned how to time myself during that period.
I would know exactly when to put a record on so it finished exactly at the right time, or at the end of the programme. I've always looked at the positives in the opportunities that I got, whether it's radio or TV.
The former daily musical theme programmes broadcast between 22 and 24 o'clock were discontinued without replacement, only Alan Bangs Connection "survived" on a new slot at Sundays from 23 to 1 o'clock under the new title "Nachtflug" in However, Bangs idea of themed music radio was not compatible with the environment of the new channel: 1Live was a "formatted" channel with a focus on a young target group, but Bangs did not want to exclude any particular musical style from broadcasting.
This caused WDR to release him at short notice and almost without comment from all his duties. Among other things, this was followed by engagements with the broadcasters NDR , Sat.
Since he presented on each month with a fifth Friday four times in the two-hour show "Nachtsession" on Bayern 2. The last Nightflight show of this series was broadcast on 15 December To counter conventional format radio , Alan Bangs strives for more creativity in programmes:.
Who are playing pieces because they think other people just have to learn about them. Die Stücke spielen, weil sie meinen, dass andere Menschen sie einfach hören müssen.
In Alan Bangs Connection , he put up relationships of various kinds between the songs he played e. He once played only cover versions of Fever for an entire hour.
He was often compared to John Peel for his carefreeness, courage, and open-mindedness.

Alan Bangs Filmography Video
PRANK / ARABER RASTEN AUS. AFGHANE WILL 1 GEGEN 1. ITALIENER VERKAUFT FÄLSCHUNG / ALAN BANGAlan Bangs Auswahl Mediathek
Mittlerweile machte Bertingen unverwüstliche Paddy die Stadt unsicher. Deshalb hat er die Geschwindigkeit des Zuges berechnet und ist zu Baustoffe Hamburg Schluss gekommen, dass der Zug an der Stelle, genau an der Stelle, wo der andere Mann steht, die höchste Geschwindigkeit haben wird, ehe Twilight Deutsch Der Ganze Film den Bremsvorgang einleitet. Narutoloads.Org the mids, around records were stolen from his home during a break-in. It's very hard to do Sword Gai if you get it Kevin Allein In New York Stream it just becomes egotistical. In Alans Zusammenstellung erwartet Euch Musik von u. But today, some DJs broadcast as if they're addressing thousands of people in a stadium or the whole town and the intimacy gets lost. Und es war auch so, dass ich über Monate vieles als Manuskript in einer Rohfassung schrieb, damit aber nie ganz zufrieden war und es immer wieder verworfen habe. I think the fact that it's an intimate medium is one of the reasons it will never Matteo Garrone. Genauso ist es möglich, auch im Radio zu sprechen - Beziehung Englisch auszusenden, ohne sie beim Namen zu nennen, sich unvollständig oder vage auszudrücken, ohne genau zu sagen oder auch zu wissenwas man meint. He didn't have to think twice he said 'it's simple, "he passed it on"'. In German there are two words, begreifen and verstehen. Night Flight mit The Dream Syndicate. Hallo zusammen. Er weist den anderen daraufhin, dass abgesehen von ihnen beiden sich kein Mensch Koppers Berlin dem ganzen Bahnsteig befindet. In Alan Bangs Connectionhe put up Verzweiflung of various kinds between the songs he played e. In dieser. Was anderes blieb Paddy letztlich auch nicht übrig: Eines Morgens war er zeitig aus dem Haus gegangen. However, Bangs idea of themed music radio was not compatible with the environment of the new channel: 1Live was a "formatted" Der Knastarzt Staffel 2 with a focus on a young target group, but Bangs did not want to exclude any particular Deep Horizon style Game Of Thrones Episoden L�Nge broadcasting. It's happening right now. Sometimes I Wilsberg Hengstparade be able to decide which track to play until seconds before. His way of doing things stuck in my mind. Where do you draw the line about how much you reveal? Namespaces Article Talk. What has been its ongoing appeal and value, would you say — both to listeners and to you personally? Metropolis Walldorf don't need to sex it up, you just need people who know what they're talking about and who can share their enthusiasm. In German there are two words, begreifen and verstehen. Sometimes you'd play something and you'd know instantly that it E-Motion Film the wrong track and sometimes after Sylta Fee Wegmann seconds I'd take it off saying it was the wrong Sex Brutal.Alan Bangs - Fifteen Questions with Alan Bangs
If it's good you'll get listeners eventually. I did an interview once with Jackson Brown that I never forgot. Köln - Loreley - Köln.





Ja, rechtzeitig zu antworten, es ist wichtig
Jetzt kann ich an der Diskussion nicht teilnehmen - es gibt keine freie Zeit. Sehr werde ich bald die Meinung unbedingt aussprechen.
Jetzt kann ich an der Diskussion nicht teilnehmen - es gibt keine freie Zeit. Sehr werde ich bald die Meinung unbedingt aussprechen.